Edited by Roby James
Norilana Books (2008)
This collection, edited by Roby James, is touted to be inspired by Marion Zimmer Bradley’s long-running (even after her death) Sword and Sorceress anthologies. Where S&S were fantasy collections, Warrior Wisewoman purports to be science fiction with strong female characters taking the lead. I think the title, Warrior Wisewoman actually doesn’t do this goal justice, as to me, both title words indicate fantasy, as does the cover artwork, but regardless, that was the charter the contributors submitted to! Twelve stories, one of them by New Zealand author Douglas A. Van Belle, whose name, incidentally, was the only one that I recognised in any way. However, I imagine that many of the authors in the pages of Warrior Wisewoman will be seen in many more forums in the future. Continue reading
A Newsflesh collection
Rise is billed as a collection of short fiction, one that brings together every Newsflesh story published so far, along with two brand new, never-before-seen novellas in the world. To me, if seems like more than a collection; the pieces are so deeply connected, enmeshed in the broader universe that Grant (aka Seanan McGuire) has created, with characters crossing from piece to piece, their backstories ever expanding, that it really deserves the moniker of mosaic fiction. Every piece is a building block in the greater whole, and the length of the stories also helps it feel more like a long-form work; the reader is immersed from beginning to end.
I am a massive fan of the Newsflesh world. I had, I believed, hunted down and devoured every related work already, so I was delighted (if somewhat chagrinned) to realise that two of the previously published stories were also new to me, so I got FOUR new Newsflesh pieces, which was very exciting. Each story has a short introduction by the author, offering a little back story to the circumstances surrounding its birth. While these tidbits are little pearls for the rabid fan, and sometimes offer acknowledgement to supporters of the author through the writing process, there were a couple that were a bit spoilery. They perhaps would have worked better as postscripts rather than intros, and it might be worth a new reader skipping them on the first time around. But the stories…oh, the stories…
If you have not read Feed, Deadline and Blackout, you cannot, MUST NOT, read this book. Go away and read the Newsflesh trilogy. All of it. Go on, I’ll wait. You won’t regret it. Okay, you’re back? You didn’t stop at the end of Feed, did you? You read ALL of them? Right, good. Now we can continue.
SPOILERS FOR THE NEWSFLESH TRILOGY (but hopefully not the Rise stories) UNDER THE CUT…
Robin Hobb and Megan Lindholm
The Inheritance is a collection of short stories by alter egos Robin Hobb and Megan Lindholm. Containing both original to the collection and reprint stories, The Inheritance is an almost soul baring group of stories, particularly those written under the Lindholm name, which stem from reflections of the author’s own life. Containing two stories set in Hobb’s Elderlings world, this book is a showcase of quality writing and thoughtful plots.
The first seven stories are nominally by Megan Lindholm. In her introduction, the author states that Lindholm’s stories are more concise than Hobb’s, while “Robin still tends to sprawl in her storytelling, so while she takes up as many pages, there are fewer stories by her in these pages.” (p. ix). So it is that the first half of the book are shorter pieces, tending to examine smaller pieces of life, but in a depth and beauty that’s hard to find in short stories today. Some stories are so slightly left of centre that they are almost mainstream, but only almost. The touch of speculation is always there, however covertly. Continue reading
Kaleidoscope: Diverse YA Science Fiction and Fantasy Stories
August 2014, Twelfth Planet Press
Alisa Krasnostein & Julia Rios (eds.)
Kaleidoscope is one of the best anthologies I have read for a very long time. It’s not just the concept, which is both necessary and overdue; it’s not just the stories, which are engaging and beautiful and thoughtful and brilliant; it’s not just the way the authors explore science fiction and fantasy from perspectives all too frequently unseen in fiction; it’s all of these things, and that it seems so natural. In this anthology, every story takes a character (or two or three) who is often “othered” in fiction (and life), and makes their differences a part of the story. Readers will see themselves, they will see their friends, they will see their families, their cultures, their religious beliefs, their sexuality, their physical and mental states and they will see them as normal, as okay, as special. Not othered. Important and relevant and very very good, Kaleidoscope offers a powerful message to our society about difference, and about what we, as readers, want (and need) to see in our stories.
Some pieces, such as Tansy Rayner Roberts’ “Cookie Cutter Superhero”, offer a biting commentary on popular culture, couched in humour and teen spirit; others, such as “Seventh Day of the Seventh Moon” by Ken Liu, take a gentler approach, examining first love with a fantasical twist. Some stories shade darker, as with “The Legend Trap” by Sean Williams (set in his Twinmaker universe, an added bonus for fans) and “Kiss and Kiss and Kiss and Tell” by E.C. Myers; still others take a familiar trope and turn it sideways, like Faith Mudge’s “Signature” and “The Lovely Duckling” by Tim Susman. Some of my favourite works in the book were those that embedded the story in the protagonist’s nature, like the magic of Jim C. Hines’ “Chupacabra’s Song” and Karen Healey’s astonishingly good “Careful Magic”. There are so many wonderful stories in the pages of Kaleidoscope that every reader will find a favourite (or two or three), and every reader, teen or adult, will find at least one that speaks to them in deeper ways.
This review was first published at FableCroft on June 18, 2014.
Amazon Digital Services (2012)
What an astonishing collection. If you have ever read Robin McKinley’s fairy tale retellings, or any of the Terri Windling and Ellen Datlow anthologies which reboot traditional stories, you might have some idea of what Shattered does to tales you think you know. In three short pieces, Gale truly breaks the established conventions of well-known stories and turns you upside down in your understanding of how these should work, with excellent results. Continue reading