Open short story markets

It’s a good time to be writing spec fic short stories in Australia right now. And maybe even for our overseas friends, as many of our local markets are open to international submissions! Thought it might be a good time to do a little round up:

1. Twelfth Planet Press is seeking original, unpublished fantasy stories of between 2,500 wds and 7,500 wds, set in the 1920s and fun for Speakeasy. Details here. Closes September 30, 2010. Twelfth Planet Press also has open reading for the novella and novelette doubles series’.

2. FableCroft Publishing is calling for (Australian only) submissions to After the Rain, a speculative fiction anthology for stories between 2,000-10,000 words. Details here. Closes October 31, 2010.

3. Liz Gryzb is editing More Scary Kisses for Ticonderoga Publications. Paranormal romance stories of between 1,000 and 8,500 words are wanted. Details here. Closes November 1, 2010.

4. Submissions of 1,000 to 7,500 words from Australian and overseas contributors are encouraged to the Aussie vampire anthology Dead Red Heart from Ticonderoga Publications. Closes December 1, 2010. Details here.

5. Editor Keith Stevenson is reading for the forthcoming Couer de Lion anthology, Anywhere But Earth. Original and unpublished science fiction stories of between 3,000 and 15,000 words on the theme are welcomed. Extensive details here. Closes February 28, 2011.

6. Andromeda Spaceways Inflight Magazine is almost always open to global submissions of up to 10,000 words (20,000 for Aust & NZ writers). Comprehensive guidelines here.

7. Aurealis is also an open market for Australian speculative fiction between 2,000 and 8,000 words – submissions from overseas by query. Guidelines here.

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5 Comments

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5 responses to “Open short story markets

  1. Anonymous

    thanks for the summary — there are so many anthologies in the works right now it’s hard to keep track of them all!

  2. Anonymous

    What a great post… thanks Tehani

  3. Anonymous

    Thank you for this! I have a story set in–well, actually, not exactly in, things get disrupted before the characters get there–a speakeasy.

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