Michelle Cooper
FitzOsborne Press (2017)
ISBN: 9780648165101
The subtitle for this upper middle-grade book is “A History of Medicine in Thirteen Objects”, which is a useful additional description, and an accurate one. The author has clearly undertaken an extraordinary amount of research into medicine through the ages, and sharing this knowledge seems to be the main purpose of the book. But this should not be construed as a negative – creative non-fiction is a very clever way of bringing attention to the field, and by association STEM (Science, Technology, Engineering and Mathematics), for young people.
Specifically young WOMEN, as the book’s protagonists are two young girls, given the unlikely (but not, I should note, completely unrealistic, given the state of academia these days!) task of preparing Dr Huxley’s bequest for presentation in the common room of a residential college of a university. When the informational notes accompanying the objects are destroyed, the two girls, Rosy and Jasminder (Jaz), are on a race against time to figure out what each of them is, and what each represents, in order to showcase them for inspection.
There was a lot to like about this book. As a teacher and librarian, I very much appreciated the portrayal of the thirst for knowledge and interest in a topic for its own sake, accompanied by a clearly positive take on the research process via the girls’ search for information about unknown objects. While this search often hinged on coincidental observations, this was usually an inciting incident that led to further investigation. It was interesting to see some gentle digs at academia in general throughout the book, which as an adult (and someone currently working in that field) I grinned at, though I imagine the intended audience may not pick these up.
I was impressed by the ways Cooper wove in non-Eurocentric perspectives as well. The book is set in Australia, identifying real places in a real university. Through some careful character work and an eye for opportunity, Cooper ensures readers are very aware that Western medicine is not the only view of medicine through the ages, and that often, Western medicine either lagged behind or was significantly influenced by advances in other areas of the world. Again, the younger reader might not even notice this as unusual, but as an educated and experienced reader, I certainly did and value these inclusions.
Rosy and Jaz were well-realised on the page, perhaps a little adult in some ways (although it would definitely be a mistake to underestimate any intelligent 13 year old…) but the style of writing also gave them a young “voice”, which I think is of importance to the story being told. It’s not too intimidating for the young reader that way, despite the sometimes heavy medical history content being unpacked.
The adults in the book were nicely fleshed out as well – Cooper has a true gift for writing incidental characters in a way that makes the reader get to know them, even when they are only briefly present, a knack I had noticed in her Montmaray books – which also helped the book avoid a didactic tone. It was valuable to see the different situations of the parents, cultures and backgrounds, delivered with careful placement throughout the book.
Writing creative non-fiction is a challenge, and Cooper has offered an exemplar of the genre here. The book is not perfect – some sections were perhaps a little overlong, some coincidences a little stretched, and the “mystery” in Rosy’s room felt a bit shoehorned in. However, strong characters and a believable purpose combine with a deft writerly touch to produce an interesting and engaging narrative that educates and, as I mentioned, provides a positive perspective on research and the quest for knowledge, and this cannot be undervalued. I can see this being picked up by young readers for pleasure, but I would also commend it to teachers to consider as a class text, due to its quality and relevance to learning. As an added bonus, teacher resources are available.
Well, I loved it. I haunted local bookstores, new and secondhand for months, finding in dribs and drabs the rest of McCaffrey’s ouvre. I don’t recall the order in which I read the rest of Pern, nor the other series, though I would always be delighted to come across one I didn’t have in the secondhand book shelves. I read and reread all those books many times over the next 20 years (I 
I still have them all. Multiple packing boxes filled with McCaffrey sit in my shipping container, waiting for a time when I can once again put them out on the bookshelf (no room in the current house, unfortunately). Many other books have not made it past the great book culls I’ve had over the years, but I don’t think I’ll ever part with Pern, nor McCaffrey’s other works. I don’t know if it was mentioned in one of her books but in late 2000, I discovered Anne’s Kitchen Table Bulletin Board, and became part of my first real interactive fandom, chatting in real time and on message boards with fans all over the world (one, a girl from New Zealand, I’m now Facebook friends with!). One of my fondest fannish memories is the time I was online at 3am in the morning (probably doing a university assignment) and actually got to chat to Anne herself. More than a decade and a half later, with all the wonderful writers I’ve met and worked with in the last 15 years, that is still my biggest thrill.
I wish I’d taken the chance to go visit Anne in Ireland when I was there in the late 90s – I didn’t have the nerve, I guess, though she always said she was happy to have fans visit her at Dragonhold-Underhill (with a little notice!). Maybe if I’d been a bit older, or had any other fan experiences under my belt (I didn’t come into the Australian fan scene until 2001, as a part of Andromeda Spaceways, and didn’t attend my first convention and meet my first authors until 2002!), I would have done it, but I didn’t. Maybe it is for the best – they say don’t meet your heroes – but I still regret that lost opportunity.
Nina Harper
The Last Stormlord 
Stormlord Rising
Stormlord’s Exile